Pure form, stripped of context. In this collection, the subject is secondary to the emotion of the line and the weight of the shadow. I approach these scenes as a sculptor, using the camera to carve out shapes from the clutter of the everyday.
This is the ultimate exercise in subtraction. By removing the "what" and the "where," I allow the "how" to take center stage. How the light hits a surface; how a curve meets a sharp edge; how a void creates a presence.
I believe that the most profound truths are often found in the simplest geometries. These images invite you to stop identifying the world and start feeling its rhythm—a collection of visual haikus written in the language of light.
Colors
Snaking
Great Cascades Oregon
Scotland - Autumn moods
Fjord demons
